{"id":5994,"date":"2026-11-11T03:14:28","date_gmt":"2026-11-11T02:14:28","guid":{"rendered":"https:\/\/obscura.ffabula.cz\/?p=5994"},"modified":"2026-11-12T21:47:24","modified_gmt":"2026-11-12T20:47:24","slug":"ztraceny-stalin-aneb-badani-po-jednom-obrazu","status":"publish","type":"post","link":"https:\/\/obscura.ffabula.cz\/index.php\/2026\/11\/11\/ztraceny-stalin-aneb-badani-po-jednom-obrazu\/","title":{"rendered":"Recenze: Ztracen\u00fd Stalin? aneb b\u00e1d\u00e1n\u00ed po jednom obrazu"},"content":{"rendered":"\t\t
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Recenze: Ztracen\u00fd Stalin? aneb b\u00e1d\u00e1n\u00ed po jednom obrazu\n<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Jakub Valuch<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Ztracen\u00fd generalissimus (podcastov\u00e1 s\u00e9rie)<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Auto\u0159i:<\/strong> Vojt\u011bch Koval a Ond\u0159ej Hor\u00e1k
Dramaturg:<\/strong> Lucie Korcov\u00e1
Mix:<\/strong> Ivana Mo\u017en\u00e1
Premi\u00e9ra:<\/strong> 2. 2. 2026<\/p>

Odkaz na podcastovou s\u00e9rii: <\/strong>\u010cesk\u00fd rozhlas Vltava<\/a><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Zdroj fotografie: —<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Um\u011bleck\u00e1 d\u00edla se \u010dasto ztr\u00e1c\u00ed a ob\u010das se i n\u011bjak\u00e9 znovu nalezne. Jak se ov\u0161em mohlo ztratit d\u00edlo o velikosti filmov\u00e9ho pl\u00e1tna? Nejen na tuto ot\u00e1zku se pokou\u0161\u00ed odpov\u011bd\u011bt auto\u0159i nov\u00e1torsk\u00e9 podcastov\u00e9 s\u00e9rie <\/span>Ztracen\u00fd generalissimus <\/span><\/i>(1) \u010cesk\u00e9ho rozhlasu Vltava. Report\u00e9r Vojt\u011bch Koval a kur\u00e1tor Ond\u0159ej Hor\u00e1k spole\u010dn\u011b nav\u0161t\u00edv\u00ed mno\u017estv\u00ed archiv\u016f, p\u016fd a sklep\u016f s c\u00edlem naj\u00edt jeden z\u00a0nejv\u011bt\u0161\u00edch obraz\u016f \u010deskoslovensk\u00e9 produkce ve 20. stolet\u00ed: <\/span>D\u00edk\u016fvzd\u00e1n\u00ed \u010deskoslovensk\u00e9ho lidu generalissimu Stalinovi<\/span><\/i>, kter\u00fd vytvo\u0159il kolektiv Jana \u010cumpel\u00edka v\u00a0roce 1951 pro v\u00fdstavu na objedn\u00e1vku\u00a0\u010deskoslovensk\u00e9ho ministerstva zem\u011bd\u011blstv\u00ed.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Tato t\u0159\u00edd\u00edln\u00e1 s\u00e9rie (1. Generalissimus na \u017dof\u00edn\u011b, 2. Ztracen\u00fd na p\u016fd\u011b, 3. Host\u00e9 bez hostitele) je neobvykl\u00e1 kombinac\u00ed popul\u00e1rn\u00edho true-crime \u017e\u00e1nru, rozhovor\u016f mezi Vojt\u011bchem Kovalem a\u00a0Ond\u0159ejem Hor\u00e1kem a t\u00e9m\u011b\u0159 v\u011bdeck\u00e9ho b\u00e1d\u00e1n\u00ed po osudu jednoho obrazu<\/span>,<\/b> a to v\u0161e je obohaceno dobov\u00fdm audiem, a\u0165 u\u017e se jedn\u00e1 o budovatelsk\u00e9 p\u00edsn\u011b jako P\u0159ekr\u00e1sn\u00e1 zem\u011b z roku 1952<\/span> nebo dobov\u00e9 \u010ceskoslovensk\u00e9 filmov\u00e9 t\u00fdden\u00edky a projevy politik\u016f. Jako motivace pro vznik t\u00e9to s\u00e9rie je poslucha\u010d\u016fm p\u0159edstavena fascinace report\u00e9ra Kovala velikost\u00ed obrazu generalissima a mo\u017enost\u00ed toho, \u017ee se tak velk\u00e9 pl\u00e1tno prost\u011b ztrat\u00ed. Proto se jej rozhodne, s\u00a0pomoc\u00ed kur\u00e1tora Hor\u00e1ka, kter\u00fd v cel\u00e9 s\u00e9rii vystupuje v\u00a0pozici odborn\u00edka, naj\u00edt. Obraz sice nenajdou, ale v\u00a0posledn\u00edch sekund\u00e1ch t\u0159et\u00edho d\u00edlu dvojici \u201edetektiv\u016f\u201c zavol\u00e1 mu\u017e ze Slovenska, kter\u00fd jim d\u00e1v\u00e1 dal\u0161\u00ed vod\u00edtko, kter\u00e9 by k\u00a0n\u011bmu mohlo v\u00e9st…\u00a0<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Obdob\u00ed mezi \u00fanorov\u00fdmi ud\u00e1lostmi roku 1948 v \u010ceskoslovensku a XX. Sjezdem KSSS roku 1956, respektive XII. Sjezdem KS\u010c roku 1962, je c\u00edlem pozornosti mnoha akademik\u016f i z\u00e1jemc\u016f o historii z\u00a0\u0159ad \u0161irok\u00e9 ve\u0159ejnosti. D\u00edky tomu m\u00e1 tento podcastov\u00fd po\u010din mo\u017enost st\u00e1t se n\u00e1strojem popularizace historick\u00e9 pr\u00e1ce. Vojt\u011bch Koval a Ond\u0159ej Hor\u00e1k toti\u017e p\u0159i hled\u00e1n\u00ed obrazu mus\u00ed proj\u00edt podobn\u00fdm procesem jako v\u011bdec, kter\u00fd chce na z\u00e1klad\u011b archiv\u00e1li\u00ed a rozhovor\u016f s\u00a0pam\u011btn\u00edky doj\u00edt k\u00a0odpov\u011bdi na svou v\u00fdzkumnou ot\u00e1zku. <\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Nejprve se dvojice autor\u016f pokus\u00ed naj\u00edt obraz tam, kde v\u00ed, \u017ee se nach\u00e1zel naposledy \u2013 ve v\u00fdstavn\u00edm pal\u00e1ci \u017dof\u00edn. Tam neusp\u011bj\u00ed, a proto, po zji\u0161t\u011bn\u00ed, \u017ee autorsk\u00fd kolektiv pracoval v\u00a0r\u00e1mci Arm\u00e1dn\u00edho v\u00fdtvarn\u00e9ho studia, za\u010dnou hledat d\u016fkazy v\u00a0archivech Vojensk\u00e9ho historick\u00e9ho \u00fastavu (VH\u00da) a pra\u017esk\u00e9ho V\u00fdstavi\u0161t\u011b. N\u00e1sledn\u011b se obrac\u00ed na odbornici, Mgr. Mark\u00e9tu Peringerovou (2), kter\u00e1 je navede na dal\u0161\u00ed m\u00edsta, kde by se obraz mohl nach\u00e1zet \u2013 Ministerstvo zem\u011bd\u011blstv\u00ed a \u010cumpel\u00edk\u016fv ateli\u00e9r. Proto je kontaktuj\u00ed, za\u010dnou prohled\u00e1vat depozit\u00e1\u0159e ministerstva a ud\u011blaj\u00ed rozhovor s pam\u011btn\u00edkem \u2013 vnukem Jana \u010cumpel\u00edka \u2013 jen\u017e je sv\u00fdmi vzpom\u00ednkami navede na mo\u017enost, \u017ee by mohl b\u00fdt obraz roz\u0159ez\u00e1n a pou\u017eit na jin\u00e9 obrazy, t\u0159eba na ty, kter\u00e9 vytvo\u0159il Mikul\u00e1\u0161 Medek, kter\u00fd ateli\u00e9r po \u010cumpel\u00edkovi p\u0159evzal.\u00a0 Proto se pokus\u00ed n\u011bkolik obraz\u016f z\u00a0Medkova cyklu Host\u00e9 bez hostitele, kter\u00e9 nebyly v\u00a0soukrom\u00fdch sb\u00edrk\u00e1ch, prozkoumat. Ale marn\u011b. <\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Bohu\u017eel se ani tato podcastov\u00e1 s\u00e9rie nemohla obej\u00edt bez kli\u0161\u00e9,<\/span> kter\u00e1 debatu o komunistick\u00e9 minulosti dlouhodob\u011b prov\u00e1zej\u00ed. A\u0165 u\u017e se jedn\u00e1 o zvukov\u00fd doprovod, kdy hned v\u00a0prvn\u00edm d\u00edlu mus\u00ed zazn\u00edt \u00faryvek v\u00fdpov\u011bdi Milady Hor\u00e1kov\u00e9 p\u0159ed St\u00e1tn\u00edm soudem, jen\u017e v\u0161ak v\u00a0kontextu tohoto d\u00edlu, ani cel\u00e9 s\u00e9rie, ned\u00e1v\u00e1 p\u0159\u00edli\u0161 smysl a m\u00e1 o\u010dividn\u011b slou\u017eit pouze k\u00a0nast\u00edn\u011bn\u00ed hr\u016fzn\u00e9ho re\u017eimu (3); o ozna\u010dov\u00e1n\u00ed \u010cumpel\u00edka jako kolaboranta s\u00a0re\u017eimem \u2013 kdy v\u00a0cel\u00e9 s\u00e9rii spl\u00fdv\u00e1 osobnost, respektive spekulace o n\u00ed, s\u00a0kritikou obrazu a s\u00a0kritikou komunistick\u00e9ho re\u017eimu \u2013 nebo o konstatov\u00e1n\u00ed typu \u201eminulost se opakuje.\u201c Obecn\u011b se \u010dasto vyskytuj\u00ed p\u0159irovn\u00e1n\u00ed a soudy, kter\u00e9 jsou siln\u011b ovlivn\u011bny obecn\u00fdm pov\u011bdom\u00edm o minul\u00e9m re\u017eimu. Proto auto\u0159i nap\u0159\u00edklad nedok\u00e1zali hodnotit obraz bez kritiky autora, p\u0159edstavit osobnost \u010cumpel\u00edka bez kritiky re\u017eimu, \u010di kritizovat praktiky re\u017eimu bez zabarven\u00e9ho jazyka, a\u010dkoli nap\u0159\u00edklad \u00faseky rozhovor\u016f s\u00a0M.\u00a0Peringerovou a s\u00a0vnukem \u010cumpel\u00edka se k ideologicky nezabarven\u00e9 kritice p\u0159ibli\u017euj\u00ed.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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I p\u0159es to je tento po\u010din p\u0159\u00ednosn\u00fd nejen jako detektivn\u00ed podcast, kter\u00fd poslucha\u010de sezn\u00e1m\u00ed s\u00a0pozad\u00edm um\u011bleck\u00e9 produkce 50. let v\u00a0\u010ceskoslovensku, ale tak\u00e9 jako poutav\u00e9 p\u0159ibl\u00ed\u017een\u00ed pr\u00e1ce historika \u0161ir\u0161\u00ed ve\u0159ejnosti. Z\u00e1rove\u0148 navazuje na velmi povedenou publikaci <\/span>Ztracen\u00fd svat\u00fd<\/span><\/i> z\u00a0roku 2021, je\u017e prost\u0159ednictv\u00edm p\u0159\u00edb\u011bhu p\u00e1tr\u00e1n\u00ed dvou kur\u00e1tor\u016f pr\u00e1v\u011b po ztracen\u00e9m obrazu <\/span>D\u00edk\u016fvzd\u00e1n\u00ed \u010deskoslovensk\u00e9ho lidu generalissimu Stalinovi<\/span><\/i> pojedn\u00e1v\u00e1 o historii um\u011bn\u00ed v obdob\u00ed stalinismu a\u00a0o\u00a0tom, jak zach\u00e1zet s um\u011bleck\u00fdm d\u011bdictv\u00edm stalinismu a socialistick\u00e9ho realismu v<\/span>\u00a0<\/span>\u010ceskoslovensku. (4)<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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A\u010dkoli auto\u0159i podcastov\u00e9 s\u00e9rie nem\u011bli vymezenou v\u00fdzkumnou ot\u00e1zku, neprov\u00e1d\u011bli standardn\u00ed historick\u00fd v\u00fdzkum a dopou\u0161t\u011bli se p\u0159edpojat\u00fdch soud\u016f, jejich hled\u00e1n\u00ed obrazu se v\u00a0mnoha ohledech odborn\u00e9mu v\u00fdzkumu p\u0159ibli\u017euje \u2013 a\u0165 u\u017e je to pr\u00e1ce s\u00a0dobov\u00fdmi fotografiemi, kritikami, filmovou produkc\u00ed, rozhovor s\u00a0pam\u011btn\u00edkem nebo konzultace s\u00a0odborn\u00edky. Proto m\u00e1 toto hled\u00e1n\u00ed uk\u00e1zkov\u00e9ho d\u00edla sorely potenci\u00e1l uk\u00e1zat poutav\u00fdm zp\u016fsobem ve\u0159ejnosti, jak m\u016f\u017ee v\u00fdzkum v\u00a0oblasti historie a p\u0159\u00edbuzn\u00fdch obor\u016f, kter\u00e9 jsou n\u011bkdy o\u010der\u0148ov\u00e1ny, vypadat.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Stejn\u011b jako kniha <\/span>Ztracen\u00fd svat\u00fd<\/span><\/i>, i podcastov\u00e1 s\u00e9rie <\/span>Ztracen\u00fd generalissimus<\/span><\/i> m\u016f\u017ee, i p\u0159es sv\u00e9 nedostatky, skrze popularizaci historick\u00e9ho v\u00fdzkumu p\u0159isp\u011bt k\u00a0tomu, aby se, slovy b\u00fdval\u00e9 \u0159editelky slovensk\u00e9 n\u00e1rodn\u00ed galerie (SNG) Alexandry Kus\u00e9 (kter\u00e1 jako\u017eto spoluautorka v\u00fd\u0161e zm\u00edn\u011bn\u00e9 knihy p\u0159\u00edb\u011bh obrazu zpopularizovala prost\u0159ednictv\u00edm speci\u00e1ln\u00ed instalace v SNG a\u00a0demonstrovala na n\u011bm dne\u0161n\u00ed politickou situaci na Slovensku), neztr\u00e1cela citlivost k\u00a0p\u0159\u00edb\u011bh\u016fm socialismu a dne\u0161n\u00ed demokracie. (5)<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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1: Vojt\u011bch KOVAL \u2013 Ond\u0159ej HOR\u00c1K, <\/span>Ztracen\u00fd generalissimus: P\u00e1trejte s n\u00e1mi po nejv\u011bt\u0161\u00edm obrazu v \u010ceskoslovensku<\/span><\/i>, Lucie KORCOV\u00c1 \u2013 Ivana MO\u017dN\u00c1, \u010cesk\u00fd rozhlas Vltava, Praha 2026. Dostupn\u00e9 z: https:\/\/vltava.rozhlas.cz\/ztraceny-generalissimus-patrejte-s-nami-po-nejvetsim-obrazu-v-ceskoslovensku-9592012 [n\u00e1hled 7-3-2026].<\/span><\/span><\/p>

2: Podcastov\u00e1 s\u00e9rie se zjevn\u011b inspirovala i touto prac\u00ed: Mark\u00e9ta PERINGEROV\u00c1, <\/span>Alena \u010cerm\u00e1kov\u00e1: Malba 50. let<\/span><\/i>, Magistersk\u00e1 diplomov\u00e1 pr\u00e1ce, Vedouc\u00ed pr\u00e1ce Alena POMAJZLOV\u00c1, Brno 2013. Dostupn\u00e9 z: https:\/\/is.muni.cz\/th\/n9hjk\/Alena_Cermakova__malba_50._let.pdf [n\u00e1hled 7-3-2026].<\/span><\/span><\/p>

3: V\u00a0prvn\u00edm d\u00edle zazn\u00ed nejprve hlasatelsk\u00e1 zpr\u00e1va o soudu (6:27\u20136:42) a pak v\u00fdrok M.\u00a0Hor\u00e1kov\u00e9 \u201e<\/span>sv\u00e9 \u010diny jsem d\u011blala v\u011bdom\u011b a chci n\u00e9st tak\u00e9 plnou a ve\u0161kerou odpov\u011bdnost za n\u011b a odevzdan\u011b p\u0159ijmu trest, kter\u00fd pro mne bude nalezen<\/span><\/i>.\u201c (7:01\u20137:17).<\/span><\/span><\/p>

4: Ond\u0159ej HOR\u00c1K \u2013 Alexandra KUS\u00c1 \u2013 Jind\u0159ich JAN\u00cd\u010cEK, <\/span>Ztracen\u00fd svat\u00fd<\/span><\/i>, Praha 2021.<\/span><\/span><\/p>

5: Sasha MICHAILIDIS \u2013 Alexandra KUS\u00c1 \u2013 Vojt\u011bch KOVAL \u2013 Ond\u0159ej HOR\u00c1K, <\/span>Na\u0161li Stalina? Nena\u0161li. Obraz ob\u0159\u00edch rozm\u011br\u016f mohl b\u00fdt roz\u0159ez\u00e1n, \u0159\u00edk\u00e1 histori\u010dka um\u011bn\u00ed<\/span><\/i>, Lenka BURI\u00c1NKOV\u00c1, Akcent, \u010cesk\u00fd rozhlas Vltava, Praha 2026. Dostupn\u00e9 z:\u00a0 https:\/\/vltava.rozhlas.cz\/nasli-stalina-nenasli-obraz-obrich-rozmeru-mohl-byt-rozrezan-rika-historicka-9596515 [n\u00e1hled 7-3-2026].<\/span><\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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\n\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\tMohlo by v\u00e1s zaj\u00edmat\t\t\t\t\t<\/span>\n\t\t\t\t\t\n\t\t\t\t\t\t\t<\/h3>\t\t\t<\/span>\n\n\t\t\t\n\t\t<\/div>\n\n\t\t\n\t\t <\/div>\n\n
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\n\t\t\t\t\t\"Recenze:\t\t\n\t\t<\/a>\n\t\t\t\t
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Recenze: Ztracen\u00fd Stalin? aneb b\u00e1d\u00e1n\u00ed po jednom obrazu<\/a><\/h3><\/div>\n\n\t\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t<\/i>Recenze<\/a>\t\t\t<\/span>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\t\t
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\n\t\t\t\t\tP\u0159e\u010d\u00edst<\/a>\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/div>\n\n
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\n\t\t\t\t\t\"Architektura\t\t\n\t\t<\/a>\n\t\t\t\t
<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\n\t\t\t
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Architektura a revoluce? Architektura nalevo<\/a><\/h3><\/div>\n\n\t\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t<\/i>Report\u00e1\u017ee<\/a>\t\t\t<\/span>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\t\t
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\n\t\t\t\t\tP\u0159e\u010d\u00edst<\/a>\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/div>\n\n
\n\t
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\n\t\t\t\t\t\"O\t\t\n\t\t<\/a>\n\t\t\t\t
<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\n\t\t\t
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O kolonialismu bez koloni\u00ed. Recenze v\u00fdstavy N\u00fcrnberg GLOBAL, 1300-1600<\/a><\/h3><\/div>\n\n\t\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t<\/i>Kunst<\/a>,<\/span>Recenze<\/a>\t\t\t<\/span>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\t\t
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\n\t\t\t\t\tP\u0159e\u010d\u00edst<\/a>\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/div>\n\n
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\n\t\t\t\t\t\"\u201eL\u00e1kala\t\t\n\t\t<\/a>\n\t\t\t\t
<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\n\t\t\t
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\u201eL\u00e1kala m\u011b mo\u017enost z\u00e1sadn\u00ed prom\u011bny.\u201c Rozhovor s doc. Mat\u011bjem Spurn\u00fdm o studiu historie, vzniku \u00dastavu historie FF UK a budoucnosti oboru<\/a><\/h3><\/div>\n\n\t\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t<\/i>Rozhovory<\/a>\t\t\t<\/span>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\t\t
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\n\t\t\t\t\tP\u0159e\u010d\u00edst<\/a>\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/div>\n <\/div>\n\n\t\t\t <\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

Recenze: Ztracen\u00fd Stalin? aneb b\u00e1d\u00e1n\u00ed po jednom obrazu Jakub Valuch Ztracen\u00fd generalissimus (podcastov\u00e1 s\u00e9rie) Auto\u0159i: Vojt\u011bch Koval a Ond\u0159ej Hor\u00e1kDramaturg: […]<\/p>\n","protected":false},"author":4,"featured_media":5995,"comment_status":"closed","ping_status":"open","sticky":false,"template":"elementor_header_footer","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":"","_ppma_block_editor_authors":""},"categories":[46],"tags":[],"ppma_author":[53],"class_list":["post-5994","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-recenze"],"authors":[{"term_id":53,"user_id":4,"is_guest":0,"slug":"jakub-valuch","display_name":"Jakub Valuch","avatar_url":"https:\/\/secure.gravatar.com\/avatar\/7a1ca5d7dfb5e95ebcaa87ad1eb71aab838222fc6799ee25f77373eb0c524746?s=96&d=mm&r=g","avatar_alt":"","avatar_decorative":"","author_category":"","first_name":"","last_name":"","user_url":"","job_title":"","description":""}],"rttpg_featured_image_url":{"full":["https:\/\/obscura.ffabula.cz\/wp-content\/uploads\/2026\/11\/Obraz-grafika.jpg",1144,1264,false],"landscape":["https:\/\/obscura.ffabula.cz\/wp-content\/uploads\/2026\/11\/Obraz-grafika.jpg",1144,1264,false],"portraits":["https:\/\/obscura.ffabula.cz\/wp-content\/uploads\/2026\/11\/Obraz-grafika.jpg",1144,1264,false],"thumbnail":["https:\/\/obscura.ffabula.cz\/wp-content\/uploads\/2026\/11\/Obraz-grafika-150x150.jpg",150,150,true],"medium":["https:\/\/obscura.ffabula.cz\/wp-content\/uploads\/2026\/11\/Obraz-grafika-272x300.jpg",272,300,true],"large":["https:\/\/obscura.ffabula.cz\/wp-content\/uploads\/2026\/11\/Obraz-grafika-927x1024.jpg",927,1024,true],"1536x1536":["https:\/\/obscura.ffabula.cz\/wp-content\/uploads\/2026\/11\/Obraz-grafika.jpg",1144,1264,false],"2048x2048":["https:\/\/obscura.ffabula.cz\/wp-content\/uploads\/2026\/11\/Obraz-grafika.jpg",1144,1264,false]},"rttpg_author":{"display_name":"Jakub Valuch","author_link":"https:\/\/obscura.ffabula.cz\/index.php\/author\/jakub-valuch\/"},"rttpg_comment":0,"rttpg_category":"Recenze<\/a>","rttpg_excerpt":"Recenze: Ztracen\u00fd Stalin? 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