{"id":5665,"date":"2026-01-27T10:21:20","date_gmt":"2026-01-27T09:21:20","guid":{"rendered":"https:\/\/obscura.ffabula.cz\/?p=5665"},"modified":"2026-06-08T22:29:24","modified_gmt":"2026-06-08T20:29:24","slug":"reportaz-z-konference","status":"publish","type":"post","link":"https:\/\/obscura.ffabula.cz\/index.php\/2026\/01\/27\/reportaz-z-konference\/","title":{"rendered":"Architektura a revoluce? Architektura nalevo"},"content":{"rendered":"\t\t
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Architektura a revoluce? Architektura nalevo<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Jakub Valuch<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Architecture and Revolution? Situating Theory of Architecture on the Left<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Kdy:<\/strong> 11. 12. 2025<\/p>\n

Kde:<\/strong> CAMP – Centrum architektury a m\u011bstsk\u00e9ho pl\u00e1nov\u00e1n\u00ed<\/p>\n

Z\u00e1znam konference na YouTube:<\/strong> https:\/\/youtu.be\/w9dt9_HP3Is?si=s–T49-FcV24fiCC<\/a> <\/p>\n

V\u00edce informac\u00ed:<\/strong> https:\/\/praha.camp\/en\/program\/detail\/theory-of-architecture-on-the-left<\/a><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Zdroj fotografie: Clever visual paraphrase of Kaufmann\u2019s Von Ledoux bis Le Corbusier<\/em> (1933). Von Boul\u00e9e bis Le Corbusier<\/em>? Corbusier\u2019s Vil e Contemporaine<\/em> (1922) inscribed in Boul\u00e9e\u2019s C\u00e9notaphe \u00e0 Newton<\/em> (1784).<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Ve \u010dtvrtek 11. prosince v\u00a0prostor\u00e1ch CAMP: Centra architektury a m\u011bstsk\u00e9ho pl\u00e1nov\u00e1n\u00ed prob\u011bhla pod z\u00e1\u0161titou \u00dastavu filozofie Akademie v\u011bd \u010cR, neziskov\u00e9ho nakladatelstv\u00ed Suture Press a Galerie VI PER komorn\u00ed konference <\/span>\u201eArchitecture and Revolution? Situating Theory of Architecture on the Left\u201c<\/span><\/i>. Organiz\u00e1to\u0159i oslovili akademiky a akademi\u010dky z\u00a0n\u011bkolika zem\u00ed, d\u00edky \u010demu\u017e bylo mo\u017en\u00e9 na t\u00e9ma konference nahl\u00ed\u017eet z\u00a0mnoha \u00fahl\u016f pohledu. Samotn\u00e1 konference byla rozd\u011blena do \u010dty\u0159 tematick\u00fdch \u010d\u00e1st\u00ed, a to tak, \u017ee panelist\u00e9 sv\u00fdmi t\u00e9maty pokryli jak z\u00e1sadn\u00ed teoretiky architektury (a jejich teorie), tak jejich vztah k\u00a0revolu\u010dn\u00edmu hnut\u00ed roku 1968 a propojen\u00ed s\u00a0dne\u0161n\u00edm d\u011bn\u00edm jak na poli architektury, tak ve\u0159ejn\u00e9ho d\u011bn\u00ed. <\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Prvn\u00ed blok <\/span>1960s Criticism and the Crisis of the Object<\/span><\/i> p\u0159edstavil architektonick\u00fd diskurz v\u00a0kontextu historick\u00fdch ud\u00e1lost\u00ed roku 1968, a to p\u0159edev\u0161\u00edm na fakult\u00e1ch architektury v Pa\u0159\u00ed\u017ei. \u00davodn\u00ed p\u0159\u00edsp\u011bvek <\/span>Structures don\u2019t take to the streets!<\/span><\/i> na toto t\u00e9ma p\u0159ednesla Jana Ndiaye Ber\u00e1nkov\u00e1, Ph.D. (Filozofick\u00fd \u00fastav Akademie v\u011bd \u010cR). (1)<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Druh\u00fd blok, nazvan\u00fd <\/span>Tafurian intermezzo<\/span><\/i>, byl v\u011bnov\u00e1n, jak u\u017e n\u00e1zev napov\u00edd\u00e1, z\u00e1sadn\u00edmu italsk\u00e9mu teoretikovi a historikovi architektury Malfredu Tafuri. Ten byl dokonce pops\u00e1n jako nejd\u016fle\u017eit\u011bj\u0161\u00ed historik architektury ve 20. stolet\u00ed. (2) Jeho pr\u00e1ci, \u017eivot a odkaz revolu\u010dn\u00edho roku 1968 v\u00a0jeho d\u00edle a my\u0161lenk\u00e1ch popsali prost\u0159ednictv\u00edm online p\u0159enosu Luka Skansi, Ph.D. (Politecnico di Milano) (3) v\u00a0p\u0159\u00edsp\u011bvku <\/span>Investigating the Causes of Defeat: Malfredo Tafuri and the Italian Architectural Culture of the 1960s<\/span><\/i> a prof. Andrew Leach (Queensland University of Technology a The University of Sydney) (4) v\u00a0prezentaci <\/span>Architecture and historiography<\/span><\/i>.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Ve t\u0159et\u00edm bloku, kter\u00fd se zab\u00fdval marxismem a frankfurtskou \u0161kolou, vystoupili prof. Mark Crinson (Birkbeck, University of London), prof. Hilde Heynen (Katholieke Universiteit Leuven) a prof. Mary McLeod (Columbia University). Mark Crinson v\u00a0p\u0159\u00edsp\u011bvku <\/span>Struggles in the Concrete: Friedrich Engels as Architectural historian? <\/span><\/i>(5) mluvil o Engelsov\u011b pozorov\u00e1n\u00ed urbanistick\u00fdch a architektonick\u00fdch rozhodnut\u00ed v\u00a0pr\u016fmyslov\u00fdch centrech Velk\u00e9 Brit\u00e1nie. Hilde Heynen ve sv\u00e9 prezentaci <\/span>The Politics of Design. Reviditing the Frankfurt School Legacy in Architectural Theor<\/span><\/i>y (6) popisovala vliv frankfurtsk\u00e9 \u0161koly a revolu\u010dn\u00edch teoretik\u016f, jako byli Max Horkheimer a Henri Lefebvre, na teorie urbanismu a architektury (a to i t\u00e9 dne\u0161n\u00ed) a projevy architekt\u016f, teoretik\u016f, a p\u0159edev\u0161\u00edm jejich student\u016f v\u00a0revolu\u010dn\u00ed dob\u011b 60. let. Mary McLeod pak ve sv\u00e9 p\u0159edn\u00e1\u0161ce <\/span>Kenneth Frampton’s Idea of the Critical<\/span><\/i> nast\u00ednila v\u00fdvoj a v\u00fdznam term\u00ednu \u201ekritick\u00fd\u201c v\u00a0d\u00edle Kennetha Framptona. Tak\u00e9 p\u0159edstavila jeho vztah k\u00a0frankfurtsk\u00e9 \u0161kole a jej\u00ed vliv na jeho d\u00edlo, p\u0159edev\u0161\u00edm na kl\u00ed\u010dov\u00e1 d\u00edla Modern Architecture: A Critical History (7) a esej v\u00a0The Anti-Aesthetic: Essays on Postmodern Culture. (8)<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Posledn\u00ed blok s n\u00e1zvem <\/span>Overcoming the Present Crisis?<\/span><\/i> tematizoval dne\u0161n\u00ed probl\u00e9my teorie architektury a to, jak m\u016f\u017eou ideje revolu\u010dn\u00edho hnut\u00ed 1968 napomoct naj\u00edt nov\u00e1 \u0159e\u0161en\u00ed t\u011bchto probl\u00e9m\u016f. Doc. Mgr. Michael Hauser, Ph.D. (Filozofick\u00fd \u00fastav Akademie v\u011bd \u010cR) v\u00a0p\u0159edn\u00e1\u0161ce <\/span>Architecture in the Times of Interregnum: Looking for New Visions <\/span><\/i>nast\u00ednil mo\u017enosti nov\u00e9ho v\u00fdvoje a viz\u00ed pro soudobou architekturu a urbanismus a prof. Joan Ockman (University of Pennsylvania) (9) hovo\u0159ila o vztahu politick\u00e9 ekonomie, ekologie a dne\u0161n\u00ed architektury.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Za velmi p\u0159\u00ednosn\u00e9 pova\u017euji p\u0159edev\u0161\u00edm \u0161\u00ed\u0159i z\u00e1b\u011bru cel\u00e9 konference, kter\u00e1 se neomezila pouze na kl\u00ed\u010dov\u00e9 historick\u00e9 ud\u00e1losti, ale p\u0159ednesen\u00e9 prezentace se dotkly jak d\u011bn\u00ed v\u00a0n\u011bkolika zem\u00edch Evropy a Spojen\u00fdch st\u00e1t\u016f americk\u00fdch, tak teori\u00ed hlavn\u00edch teoretik\u016f architektury, a dokonce i\u00a0p\u0159esahu my\u0161lenek revolu\u010dn\u00edho hnut\u00ed do dne\u0161n\u00ed architektury a urbanismu. Je t\u0159eba tak\u00e9 ocenit, \u017ee po\u0159adatel\u00e9 vybrali panelisty a panelistky tak, aby byli zastoupeni experti z\u00a0obor\u016f historie a teorie architektury, a z\u00e1rove\u0148 byli prezentuj\u00edc\u00ed vyv\u00e1\u017een\u011b zastoupeni jak podle zem\u00ed jejich p\u016fsobnosti, tak genderov\u011b.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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P\u0159\u00ednos konference podle m\u011b spo\u010d\u00edval tak\u00e9 v\u00a0samotn\u00e9m v\u00fdb\u011bru t\u00e9matu a zem\u011b kon\u00e1n\u00ed. Dle m\u00e9ho pozorov\u00e1n\u00ed je na poli \u010desk\u00e9 v\u011bdy v\u00fdzkum teorie architektury a urbanismu ve vztahu k\u00a0frankfurtsk\u00e9 \u0161kole, revolu\u010dn\u00edmu hnut\u00ed 1968 a kritick\u00e9 teorii teprve v\u00a0po\u010d\u00e1tc\u00edch. (10) Proto tak\u00e9 pova\u017euji za dob\u0159e zvolen\u00e9 m\u00edsto kon\u00e1n\u00ed, proto\u017ee pr\u00e1v\u011b\u00a0Centrum architektury a m\u011bstsk\u00e9ho pl\u00e1nov\u00e1n\u00ed CAMP m\u00e1 za c\u00edl popularizovat architekturu, urbanismus a t\u00e9mata s\u00a0nimi spojen\u00e1.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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A\u010dkoli byla konference pl\u00e1nov\u00e1na jako komorn\u00ed, \u00fa\u010dastnilo se j\u00ed nemal\u00e9 mno\u017estv\u00ed z\u00e1jemc\u016f. To vn\u00edm\u00e1m jako doklad z\u00e1jmu i o velmi specifick\u00e9 t\u00e9ma, kter\u00e9mu se zat\u00edm na \u010desk\u00e9 akademick\u00e9 p\u016fd\u011b nev\u011bnuje mnoho pozornosti. Proto v\u011b\u0159\u00edm, \u017ee se to v\u00a0nejbli\u017e\u0161\u00ed dob\u011b zm\u011bn\u00ed. Pro p\u0159\u00edpadn\u00e9 z\u00e1jemce o t\u00e9ma bude zve\u0159ejn\u011bn videoz\u00e1znam konference a je pl\u00e1nov\u00e1n tak\u00e9 p\u00edsemn\u00fd v\u00fdstup.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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(1) Prezentace byla zalo\u017eena na dlouhodob\u00e9m v\u00fdzkumu, ze kter\u00e9ho vznikla nap\u0159\u00edklad i pr\u00e1ce: Jana NDIAYE BER\u00c1NKOV\u00c1,<\/span> A Productive Misunderstanding? Architecture Theory and French Philosophy 1965 to 1990<\/span><\/i>, Columbia university 2023. Dostupn\u00e9 z: <\/span>https:\/\/doi.org\/10.7916\/f6db-5169<\/span><\/a> [n\u00e1hled 18-12-2025].<\/span><\/p>

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(2) Jon GOODBUN, <\/span>The assassin: The Critical Legacies of Manfredo Tafuri, Columbia University, New York, 20\u201321 April 2006<\/span><\/i>, Radical Philosophy 138, 2006, s. 62\u201364, zde s. 62.<\/span><\/p>

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(3) Luca SKANSI (ed.), Manfredo TAFURI, <\/span>Dal progetto alla storia: gli anni della critica e della nuova dimensione urbana<\/span><\/i>, Quodlibet 2022.<\/span><\/p>

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(4) Denise COSTANZO \u2013 Andrew LEACH (edd.), <\/span>Italian Imprints on Twentieth-Century Architecture<\/span><\/i>. Bloomsbury Publishing 2022; Andrew LEACH, <\/span>What is Architectural History?<\/span><\/i>, Cambridge 2010; Andrew LEACH, <\/span>Manfredo Tafuri: Choosing History<\/span><\/i>, Lova\u0148 2007.<\/span><\/p>

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(5) Mark CRINSON, <\/span>Shock City: Image and Architecture in Industrial Manchester<\/span><\/i>, New Haven a Lond\u00fdn 2022; Mark CRINSON \u2013 Luisa Lorenza CORNA (edd.), <\/span>Struggles in the concrete: architecture and the Marxist tradition<\/span><\/i>, Boston 2025.<\/span><\/p>

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(6) Hilde HEYNEN, <\/span>Architecture and modernity: a critique<\/span><\/i>, Cambridge 1999.<\/span><\/p>

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(7) Kenneth FRAMPTON, <\/span>Modern architecture: a critical history<\/span><\/i>, Lond\u00fdn 1980; v\u00a0\u010desk\u00e9m p\u0159ekladu: Tent\u00fd\u017e, <\/span>Modern\u00ed architektura: kritick\u00e9 d\u011bjin, <\/span><\/i>Praha 2022.<\/span><\/p>

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(8) Kenneth FRAMPTON, <\/span>Towards a Critical Regionalism: Six Points for an Architecture of Resistance<\/span><\/i>: in Hal Foster (ed.), <\/span>The Anti-Aesthetic: Essays on Postmodern Culture<\/span><\/i>, Port Townsen 1983, s.\u00a016\u201331. Tento esej je p\u0159elo\u017een ve sborn\u00edku: Kenneth FRAMPTON, <\/span>Za kritick\u00fd regionalismus: \u0160est bod\u016f pro architekturu rezistence<\/span><\/i>, in: Kenneth Frampton \u2013 Michael K. Hays \u2013 Mark Wigley \u2013 Mary MCleod et al., <\/span>Oxymor\u00f3n & pleonasmus: texty kritick\u00e9 a projektivn\u00ed teorie architektury<\/span><\/i>, Praha 2011, s. 40\u201359.<\/span><\/p>

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(9) Joan OCKMAN, <\/span>Out of Ground Zero: case studies in urban reinvention<\/span><\/i>, Mnichov 2002.<\/span><\/p>


(10) To lze demonstrovat nap\u0159. na tom, \u017ee z\u00e1sadn\u00ed d\u00edlo nejen pro t\u00e9mata Henri LEGEBVRE, <\/span>La r\u00e9volution urbaine<\/span><\/i>, Paris 1970 (v anglick\u00e9m p\u0159ekladu <\/span>The Urban Revolution<\/span><\/i>, Minneapolis 2003) bylo do \u010de\u0161tiny p\u0159elo\u017eeno teprve p\u0159ed p\u00e1r lety (<\/span>Urb\u00e1nn\u00ed revoluce<\/span><\/i>, Broken books 2022) a d\u00edla jin\u00fdch teoretik\u016f a historik\u016f architektury z\u00a0tohoto obdob\u00ed nebyla p\u0159elo\u017eena do \u010de\u0161tiny v\u016fbec a do angli\u010dtiny jen z\u00a0\u010d\u00e1sti.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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\n\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\tMohlo by v\u00e1s zaj\u00edmat\t\t\t\t\t<\/span>\n\t\t\t\t\t\n\t\t\t\t\t\t\t<\/h3>\t\t\t<\/span>\n\n\t\t\t\n\t\t<\/div>\n\n\t\t\n\t\t <\/div>\n\n
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Architektura a revoluce? Architektura nalevo<\/a><\/h3><\/div>\n\t\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t<\/i>Report\u00e1\u017ee<\/a>\t\t\t<\/span>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\t\t
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O kolonialismu bez koloni\u00ed. Recenze v\u00fdstavy N\u00fcrnberg GLOBAL, 1300-1600<\/a><\/h3><\/div>\n\t\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t<\/i>Kunst<\/a>,<\/span>Recenze<\/a>\t\t\t<\/span>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\t\t
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\u201eL\u00e1kala m\u011b mo\u017enost z\u00e1sadn\u00ed prom\u011bny.\u201c Rozhovor s doc. Mat\u011bjem Spurn\u00fdm o studiu historie, vzniku \u00dastavu historie FF UK a budoucnosti oboru<\/a><\/h3><\/div>\n\t\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t<\/i>Rozhovory<\/a>\t\t\t<\/span>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\t\t
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\n\t\t\t\t\tP\u0159e\u010d\u00edst<\/a>\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/div>\n <\/div>\n\n\t\t\t <\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Architektura a revoluce? Architektura nalevo Jakub Valuch Architecture and Revolution? Situating Theory of Architecture on the Left Kdy: 11. 12. 2025 Kde: CAMP – Centrum architektury a m\u011bstsk\u00e9ho pl\u00e1nov\u00e1n\u00ed Z\u00e1znam konference na YouTube: https:\/\/youtu.be\/w9dt9_HP3Is?si=s–T49-FcV24fiCC  V\u00edce informac\u00ed: https:\/\/praha.camp\/en\/program\/detail\/theory-of-architecture-on-the-left Zdroj fotografie: Clever visual paraphrase of Kaufmann\u2019s Von Ledoux bis Le Corbusier (1933). Von Boul\u00e9e bis Le Corbusier? Corbusier\u2019s Vil e Contemporaine (1922) inscribed in […]<\/p>\n","protected":false},"author":2,"featured_media":5633,"comment_status":"closed","ping_status":"open","sticky":false,"template":"elementor_header_footer","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[42],"tags":[],"class_list":["post-5665","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-reportaze"],"rttpg_featured_image_url":{"full":["https:\/\/obscura.ffabula.cz\/wp-content\/uploads\/2026\/01\/81Lq37eovHL._AC_UF8941000_QL80_.jpg",815,1000,false],"landscape":["https:\/\/obscura.ffabula.cz\/wp-content\/uploads\/2026\/01\/81Lq37eovHL._AC_UF8941000_QL80_.jpg",815,1000,false],"portraits":["https:\/\/obscura.ffabula.cz\/wp-content\/uploads\/2026\/01\/81Lq37eovHL._AC_UF8941000_QL80_.jpg",815,1000,false],"thumbnail":["https:\/\/obscura.ffabula.cz\/wp-content\/uploads\/2026\/01\/81Lq37eovHL._AC_UF8941000_QL80_-150x150.jpg",150,150,true],"medium":["https:\/\/obscura.ffabula.cz\/wp-content\/uploads\/2026\/01\/81Lq37eovHL._AC_UF8941000_QL80_-245x300.jpg",245,300,true],"large":["https:\/\/obscura.ffabula.cz\/wp-content\/uploads\/2026\/01\/81Lq37eovHL._AC_UF8941000_QL80_.jpg",815,1000,false],"1536x1536":["https:\/\/obscura.ffabula.cz\/wp-content\/uploads\/2026\/01\/81Lq37eovHL._AC_UF8941000_QL80_.jpg",815,1000,false],"2048x2048":["https:\/\/obscura.ffabula.cz\/wp-content\/uploads\/2026\/01\/81Lq37eovHL._AC_UF8941000_QL80_.jpg",815,1000,false]},"rttpg_author":{"display_name":"Obscura","author_link":"https:\/\/obscura.ffabula.cz\/index.php\/author\/obscura\/"},"rttpg_comment":0,"rttpg_category":"Report\u00e1\u017ee<\/a>","rttpg_excerpt":"Architektura a revoluce? Architektura nalevo Jakub Valuch Architecture and Revolution? Situating Theory of Architecture on the Left Kdy: 11. 12. 2025 Kde: CAMP – Centrum architektury a m\u011bstsk\u00e9ho pl\u00e1nov\u00e1n\u00ed Z\u00e1znam konference na YouTube: https:\/\/youtu.be\/w9dt9_HP3Is?si=s–T49-FcV24fiCC  V\u00edce informac\u00ed: https:\/\/praha.camp\/en\/program\/detail\/theory-of-architecture-on-the-left Zdroj fotografie: Clever visual paraphrase of Kaufmann\u2019s Von Ledoux bis Le Corbusier (1933). Von Boul\u00e9e bis Le Corbusier? Corbusier\u2019s Vil e Contemporaine (1922) inscribed in…","_links":{"self":[{"href":"https:\/\/obscura.ffabula.cz\/index.php\/wp-json\/wp\/v2\/posts\/5665","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/obscura.ffabula.cz\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/obscura.ffabula.cz\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/obscura.ffabula.cz\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/obscura.ffabula.cz\/index.php\/wp-json\/wp\/v2\/comments?post=5665"}],"version-history":[{"count":14,"href":"https:\/\/obscura.ffabula.cz\/index.php\/wp-json\/wp\/v2\/posts\/5665\/revisions"}],"predecessor-version":[{"id":5875,"href":"https:\/\/obscura.ffabula.cz\/index.php\/wp-json\/wp\/v2\/posts\/5665\/revisions\/5875"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/obscura.ffabula.cz\/index.php\/wp-json\/wp\/v2\/media\/5633"}],"wp:attachment":[{"href":"https:\/\/obscura.ffabula.cz\/index.php\/wp-json\/wp\/v2\/media?parent=5665"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/obscura.ffabula.cz\/index.php\/wp-json\/wp\/v2\/categories?post=5665"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/obscura.ffabula.cz\/index.php\/wp-json\/wp\/v2\/tags?post=5665"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}